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Jean Auguste Dominique Ingres J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
Jean Auguste Dominique Ingres The Turkish Bath (mk05) 1862
Canvas on wood,diameter 42 1/2''(108 cm)Given in 1911 R.F 1934 (S/AR)
Painting ID:: 21303
X
Jean Auguste Dominique Ingres Madame Moitessier Seated (mk09) 1856
Oil on canvas ,120 x 92.1 cm
London,National Gallery
Painting ID:: 21318
X
Jean Auguste Dominique Ingres The Turkish Bath (mk09) 1862
Oil on canvas,diamerer 108 cm
Paris,Musee National du Louvre
Painting ID:: 21320
X
Jean Auguste Dominique Ingres Joan of Arc at the Coronation of Charles VII in Reims Cathedral (mk09) 1854
Oil on cavans,240 x 178 cm
Paris,Musee National du Louvre
Painting ID:: 21321
X
Jean Auguste Dominique Ingres Valpincon Bather (mk09) 1808
Oil on canvas,146 x 97.5 cm
Paris,Musee National du Louvre
Painting ID:: 21323
X
Jean Auguste Dominique Ingres Mademoiselle Riviere (mk09) 1806
Oil on canvas 100 x 70 cm
Paris,Musee National du Louvre
Painting ID:: 21325
X
Jean Auguste Dominique Ingres Louis-Francois Bertin (mk09) 1832
OIl on canvas,116 x 95 cm
Paris,Musee National du Louvre
Painting ID:: 21865
X
Jean Auguste Dominique Ingres The Dream of Ossian (mk10) 1813,oil on canvas,
348 x 275 cm
Montauban,musee Ingres
Painting ID:: 25939
X
Jean Auguste Dominique Ingres Joan of Arc at the Coronation of Charles VII in Reims Cathedral (mk45) 1854
Oil on canvas
240x178cm
Paris,Musee du Louvre
Painting ID:: 25940
X
Jean Auguste Dominique Ingres The eTukish Bath (mk45) 1862
Oil on canvas
diameter 108cm
Paris,Musee du Louvre
Painting ID:: 27801
X
Jean Auguste Dominique Ingres La Baigneuse de Valpincon mk62
1808
Huile sur toile
146x98cm
Paris,musee du Louvre
Painting ID:: 39486
X
Jean Auguste Dominique Ingres The Apotheosis of Homer mk149
1827
Painting ID:: 40032
X
Jean Auguste Dominique Ingres Odalisque with a Slave mk155
1842
75x105.4cm
Painting ID:: 40033
X
Jean Auguste Dominique Ingres Little Bather or Inside a Harem mk155
1828
Oil on canvas
35x27cm
Painting ID:: 40034
X
Jean Auguste Dominique Ingres Grande Odalisque mk155
1814
Oil on canvas
91x162cm
Painting ID:: 40035
X
Jean Auguste Dominique Ingres Odalisque mk155
between 1824 and 1834
Oil on canvas
44.2x61.5cm
Painting ID:: 40036
X
Jean Auguste Dominique Ingres Turkish Bath mk155
1859-1863
Canvas on wood
110cm dia
Painting ID:: 59425
X
Jean Auguste Dominique Ingres Napoleon I on his Imperial Throne Napoleon I on his Imperial Throne, 1806, oil on canvas, 260 x 163 cm, Mus??e de l'Arm??e, Paris
Painting ID:: 59426
X
Jean Auguste Dominique Ingres Madame Riviere Madame Riviere, 1806, oil on canvas, 116.5 x 81.7 cm, Louvre
Painting ID:: 59427
X
Jean Auguste Dominique Ingres La Grande Odalisque La Grande Odalisque, 1814, oil on canvas, 91 x 162 cm, Louvre. The subject's elongated proportions, reminiscent of 16th-century Mannerist painters, reflect Ingres's search for the pure form of his model
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
